Shape of Things

With all the buzz about social media, it’s sometimes forgotten that the traditional story placement in a trade, business or local publication is an incredibly valuable asset. Here are tips on getting stories in print or pixels.

You’ve written the press release, taking pains to quantify the benefits of the product or service in easily understood terms.  You’ve documented the significance of your announcement with quotes from analysts, customers or other third-party sources.  The story is free of puffery and bombast.  In short, you have news.

Or, perhaps you’ve written a great application story, one that concentrates on a unique process or technology being applied in innovative ways.  You have a valuable asset, but now you need to leverage it.

You have a good targeted press list, and perhaps you’ve added some vertical-market publications or technology editors from general-interest outlets that might be interested in the story.  You’ve sent it out to your mail list and perhaps to a wire service.  Now, you need to secure coverage.  Here are key things to keep in mind: 

• Prioritize follow-up according to those publications that are most important to your client. Using Bacon’s or other media-listing services, determine whether it is best to follow up by phone, e-mail or fax.
• Determine how to position the story, review questions and answers, and make certain that you understand the key elements of the story and/or announcement. Be prepared to answer questions and speak naturally about the product and/or story.
• Coordinate timing of follow-up to coincide as much as possible with the publication’s deadline date and when it is best to submit stories, and the best time of day, week or month to contact the editor/writer.
• Make sure you are reaching the proper editor/writer and targeting your presentation to the proper section of the publication.
• Plot out your presentation so you are emphasizing newsworthy aspects as concisely as possible. Write out a script or keep notes handy if necessary, but try to sound natural. Make sure your follow-up provides information of value: an offer of images, a fresh perspective, an opinion not offered in the original story, an update on the original information.
• Be pleasantly persistent if your news item or story is rejected without any reason given. Ask the editor or writer: “Can you tell me why this isn’t considered a significant story?” Present your case based on knowledge of the publication’s past coverage, and why the story is important to the publication’s readers and the industry. Be polite, but firm. If the answer is still no, try to end the conversation on a positive note: “I’m sorry you don’t see the story the same way we do, but I appreciate the time you’ve taken to explain your decision. It should help us to prepare future stories that are more relevant to you.”
• Establish a personal rapport with your press contacts as much as possible. Compliment them on a story that you think was well done. Follow their work, and not just when it involves a client. Thank them for getting a client’s story right or positioning it prominently, saying something like “I thought your treatment of the story reflected its importance to the industry,” or “I thought you honed in on the most important aspects of [our client’s] new product.” If your press contact shares personal information, take note of it and ask about it in the future. Provide your contacts with editorial leads, especially if they are not related to a client. Let them know you are paying attention to what they are doing. Be more than another voice on the phone asking for something.
• Be an advocate for your clients. Be enthusiastic. Let editors know you are disappointed if coverage doesn’t appear. Let editors/writers know how important their publication is to your client and state the client’s case forcefully when necessary.
• If a story idea is turned down, appeal to a higher authority if it can be done tactfully and without undercutting a regular contact. This action should be taken especially if your contact says something like, “My editor doesn’t think this is an appropriate story.” Your reply should be: “I’d like the opportunity to present it to him/her personally. If it is still rejected, at least I’ll know exactly why and it could help me in the future.”
• If your story doesn’t get the coverage you expect the first time around, try repositioning it a couple of months later. Do a shorter version. Emphasize another aspect of the story. See if you can get an update that might make it more newsworthy.
• After a placement is confirmed verbally or by e-mail, check the issue of the publication in which it is scheduled to appear. Call immediately if the coverage does not appear. Don’t place blame, but stress the importance of the coverage to the client, reiterate why the story is important, and push for coverage in the next issue. Inform the client of your actions and the results immediately.
• Conduct a web search after the release goes out and report initial results to the client. Also conduct a search before preparing a clipping report.

Getting good media placements for your clients is the result of having a good story to tell, developing long-term relationships and mutual respect between you and your media contacts, offering deep knowledge of your clients and their technologies, and being gently persistent.

One of the best things a company can do is write about how customers use its products.  Not in the pandering way that makes “case study” a dirty phrase, but in a way that enlightens current and potential customers about how your product works to solve a problem or make something better.  Provide stories about solutions to common problems and you’ll have a built-in readership, whether the stories are published in a trade publication or website, an e-newsletter, the company website, or all of the above.

In the first of a three-part posting, I’ll define what makes a good case study and how to obtain the information you need before writing. 

What is a case study?

A case study outlines how a customer uses a product or service to do something faster, better or cheaper.

What makes a good case study?

• Detail. With a case study, God is in the details. Readers want to know exactly how something was done and why it is important. They want solid information: numbers, comparisons, customer testimonials, “before-and-after” contrasts.
• Uniqueness. The best story is one that an editor or reader has never heard before. Or, if he or she has heard it before, it should be presented in a way that will make it stand out from the hundreds of others appearing on the web at any given time.
• Relevance. The story has to be relevant to key issues facing your customers or potential customers.
• Good writing. Well-written stories, even if not as newsworthy, will get read before ones that are written poorly.
• Images. Images might not sell a mediocre story, but they can make a good story great.

Peeling the onion (getting inside the story)

Background Information.  Before conducting interviews, obtain as much information as possible about the application and the customer.  The best sources:  the account rep or technical person who deals with the customer for project-specific information, and the company web site and/or trade publications for more general company information.

The Interview.  This is the most important source of information.  The information you are able to coax out of the customer contact will mean the difference between a generic story and a story that has uniqueness, detail, personality and focus.  Because many customer contacts are difficult to reach, you must try to get all necessary information in one interview.  Some things to keep in mind:

• Concentrate on the 5 Ws and an H (Who?, What?, When?, Where? Why? and How?), as well as on the SW (So What?).
• Be polite, but firm in your questions. Don’t be negative, but be cynical, as cynical as the editor or reader who will be judging your story.
• Don’t accept vague statements on face value. The response to “Our customers are happy with our new products,” should be (in a most pleasant voice): “How do you know that? Have you surveyed them or found a way to measure their happiness?”
• Be curious and interested. Listen attentively and ask questions to find out more. If the person whom you are interviewing feels that you are curious and interested, he or she is much more likely to spend more time with you.
• Be prepared, but be flexible. Always have a list of questions you need to ask, but don’t be afraid to deviate into other areas if that’s where the interview takes you. Tangents often reap the greatest rewards.
• Be gently persistent. Keep trying to get the key information you need. If a question doesn’t get you what you want the first time around, have other variations of it ready and ask it again later in the interview.
• Ask about the people you are interviewing. Find out how long they have worked for the company, in what position they started out, other companies they have worked for, etc. If they had a particularly tough problem to overcome, sympathize. Remember, you are interviewing a person.
• Put the interviewee at ease. Make sure the interviewee knows up front that he or she will have a chance to review the article before it goes to the publication.
• Don’t be afraid to appear dumb. If you are prepared, you should be confident. If you don’t understand something, ask the person politely to explain. “Perhaps I should know what a tessellated pixel is, but I don’t. Could you please define it for me?” If you don’t hear something correctly, ask again: “I’m sorry, could you tell me again what hardware you are using?”
• Three words: benefits, benefits, benefits. Technical information is good for supplying the detail required for a good story. But, the benefits to the company are the real story. Technology without results is just a toy.
• Get correct titles and name spellings. Nothing turns off a source of information worse than having his or her name spelled wrong after spending 30 minutes to an hour talking with you.
• Find out if they have images available. A picture is worth…
• Thank the interviewee and ask permission for future help. Time is extremely valuable. Thank the interviewee for his or her time and ask if it is OK for you to call him or her in the future if you need more information.
• Be clear about your intentions. Let the interviewee know when you will have a draft for review and in what time frame you are seeking approval and images.

Next: Interview questions and pre-writing preparation.

My attitude about PR has often been like Groucho’s about clubs: ” I refuse to join any club that would have me as a member.”  More to the point, who’d want to be a member of the PR club, especially the way its members have handled their duties?

I answer to PR like I do a childhood nickname I don’t want to carry into adulthood.  Although I still do a good bit of traditional PR and more than my share of press releases, I’m always aware of the audience and what I’m saying to them. That’s telling a story, and it’s the real business I’m in.

I’m writing about it today as a shameless piggyback to an excellent posting by Seth Godin.  There’s also a much longer (probably too long) posting I did for the Business of Software blog.